'We leave a trace of our way of being in the world. Our experience is shaped by our perception of that which we decide to focus on. We may understand our body as space and our skin as the boundary between inside and outside. Our mind space and physical space may be seen as separate or as active 'one continuum'. In my work I am searching to open the readings of that space. 

I live and work in London but I was born in Poland. My childhood was spent at the lake. These early experiences where of freedom, encountering margins of mystery, experiencing boredom in the long summer holidays and having time to wonder. This fascination in the elements and ethereal realms became my emotional language. They formed the sensibilities which inform my work. Making art is for me a process of self-knowledge.

Through the work I find new connections with the world, the cosmic and the spiritual. It is a process of discovery, reflection and attention to chance.'

-Anna Levy

Anna Levy is a multimedia artist with an oeuvre spanning 25 years. Her current practice focuses on drawing and painting, with reference to her earlier sculpture, photography and moving image works.

Levy's practice is inspired by a range of traditions including East and West philosophies, Buddhism, Sufism and poetry, as well as an ongoing fascination with the elements. Throughout her practice, the artist playfully dances at the margins between reality and the mystical. Levy's drawings and paintings transcend material and ethereal realms. They interrogate what it is to exist as both body and soul; our inextricable relationship with land and sea; and the possibilities of capturing the trace of a happening, the passing of time.

Working across multiple series in tandem, Levy's process is one of abandonment and return, whereby each developing piece informs and responds to another. Meditative in her production, the artist moves between large- and small-scale paintings, pencil drawings, photography, moving image and mixed media works over the course of many years, weaving intimate connections within and between each piece. Described by the artist as 'soul-making', this mode of working creates a synchronicity throughout Levy's oeuvre, constantly developed and refined in an ongoing search for discovery and connection, an openness to the unknown, and the welcoming of surprise.

The series, One Breath  (2023 – ) continues the exploration of circle and line, intention and chance. Using ink, acrylic, pigment and pencil on paper, Levy employs a drip technique across the canvas, creating symphonies of pulsating marks. Musical in their contemplation, the pieces appear delicate and ethereal – raindrops on a window, frozen in time – while their compositions directly allude to the use of both lines and points found elsewhere in the artist's work. They capture the poetry of the body in nature, of vapor in air.

To Still the Breath  (2023) the artist employs pointillist techniques in graphite pencil to capture impressions of the sky, drawn from both early photographs and direct observation. Working at varying scales, hundreds of meticulously rendered points merge and collide, sometimes delicate and whimsical, sometimes forceful and strong. Clusters of marks overlap to form deep gray hues, weaving into and over one another, suggestive of astrological constellations, oceanic forms, or the trace of human breath, bursting onto the page, drawing the eye in. At times displayed alongside Levy's black and white nature photography, the compositions hint at the universal flux of time, both caught and suspended by the artist's hand, alluding to a web of narratives just out of sight. 

The symphonic elements of rhythm and music feature throughout Levy's practice. In Psyche (2021 – 2023), the artist works with acrylics on aluminum board, creating recipes of color by adding her own pigments to commercial paint. Throughout the series, Levy's paintings are saturated by luminescent shades – deep greens and opalescent blues rise and fall alongside shimmering, oceanic hues. Layer upon layer of paint, applied freehand and flowing linearly from left to right, builds depth of image. Mystical and alluring, the paintings hint at pulsating seascapes and unknown lands: layers of the earth, layers of the mind, and the universality of experience.

In Space Between (2019 - ), Levy uses singular pencil lines to denote the undulating sway of the earth and sky. Working rhythmically from left to right, she builds each composition through the meditative act of extending point into line, line over line, ruled and shaded intuitively. Often large in scale, the artist lets the work guide her, leaning into and embracing the temporality of the process: the act of drawing itself becomes the trace of a happening, a contemplation of being, a voyage of discovery.